(Above: Preliminary artwork from the development of Braid)
It’s unprecedented: The Daily Mail have given a gushingly positive review to a videogame, Braid. The Daily Mail, of course, has been at the front of many a “ban this sick filth” campaign against nearly every controversial game of the moment. As Destructoid put it, “British tabloid in game-liking SHOCKER!”.
Anecdotally, even my older brother, who only rarely plays games and hates most of them, watched me do a speedrun of the game this weekend while I explained the story to him. At the end, his words were “This is a significant piece of work”.
Since it’s a 360 exclusive, many will have to wait until the PC version of this is out, and luckily it’s likely to have fairly low system requirements. In the meantime, Gamasutra have an article about the development of the game’s art style, going from the basic programmer art through many iterations to the final product. It’s an interesting read, though a little fragmented due to originally being a series of blog posts. There are more in the same series there.
It struck me during this weekend that there weren’t really many propositions that would make a game entering the market at £10 look good or desirable next to £50 new releases like GTA IV. Am I a snob for thinking the idea of a £10 price point in brick and mortar retail kind of smacks of the cheap multipacks of Spectrum cassettes to be found littering cash and carries during the late 80s? Indie games can’t possibly hope to compete in the AAA arms race, and as a result it’s likely that a rack of boxed XBLA titles would create a bargain bin perception.
Digital distribution is the perfect medium to bring indie games back to the fore and reward experimentation though. Braid, Castle Crashers, RezHD, and Pixeljunk Eden are all things that have caught my eye over the past month, but in the past 5 years of my gaming there was very little in the same vein to be had. As a result, in one month since signing up for xbox live, I’ve spent more on games this past month than I usually do in most. There are PS3 titles I’d be buying digitally if I owned the one in our house too. £40 – £50 price points lead me to contemplate AAA purchases carefully, and I don’t make many. £10 for something that will keep me and a housemate entertained for a quiet weekend is a steal.
Digital distribution is a strange current where technology and culture mingle and drive each other. In the case of music, there’s an absolutely overwhelming amount of content, but with games, it’s still fairly easy for a single one to stand out and be remembered. I feel quite privileged to be able to observe a new form of media adapting to new technology.